German animator, visual artist, and filmmaker Oskar Fischinger was renowned for his pioneering animated sequences set to music long before the era of computer-generated imagery. He is best known for his contributions to significant works such as Walt Disney’s 1940 animated feature ‘Pinocchio’ and Fritz Lang’s 1929 film ‘Woman in the Moon’. Oskar Fischinger was born on June 22, 1900 in Germany, Germany. Oskar Fischinger died on January 31, 1967 at the age of 66 years in . Discover below for comprehensive details about Oskar Fischinger, including the biography, wiki profile, age, date of birth, family background, relationship status, interesting facts, photographs, lesser-known facts, and more.
Oskar Fischinger Wiki Table
| Stage Name | Oskar Fischinger |
| Real Name | Oskar Fischinger |
| Profession(s) | Animator, |
| Birthday | June 22, 1900 |
| Zodiac Sign | Cancer |
| Death | Died on January 31, 1967 (57 years ago) (Age: 66 years) in |
| Gender | Male |
| Birthplace | Germany, Germany |
| Hometown | Germany, Germany, Germany |
| Nationality | German |
Oskar Fischinger Family and Personal Life
- Oskar Fischinger was born in Germany, Germany.
- Oskar Fischinger’s birth sign is Cancer.
Oskar Fischinger Biography and Facts
- Who is Oskar Fischinger? Oskar Fischinger was a German animator, visual artist, and filmmaker known for his innovative animated sequences set to music prior to the rise of computer-generated imagery.
- Early Life and Career: Fischinger began his career as an apprentice at an organ manufacturing facility. Later, he worked as a draftsman for an architect before turning to animation.
- Contribution to ‘Pinocchio’: Oskar Fischinger significantly contributed to Walt Disney’s 1940 animated feature ‘Pinocchio’. His work included the popular sequence where the wooden puppet conducts an orchestra.
- Marriage: In 1932, Oskar Fischinger married his wife, Elfriede Fischinger.
- ‘Woman in the Moon’: In 1929, Fischinger worked on special effects for director Fritz Lang’s film ‘Woman in the Moon’. His animation techniques helped bring scenes depicting a world inside a rocket and a new age on the moon to lifelike visuals.
